ELLIOTT SIRKIN
18 Upland Road
Cambridge, MA 02140
617-354-6327 / ElliottSirkin@comcast.net
EDUCATION
The Institute for Advanced Theatre Training at Harvard |
Johns Hopkins University, Baltimore, Maryland |
PUBLICATIONS (partial list)
AMERICAN FILM | Essay on Grace Kelly |
July-August 1984 | |
THE ATLANTIC | Review of The Complete Lyrics of Cole Porter |
December 1983 | |
BALLET REVIEW | Essay on musical films |
Vol. 5, No. 1 | |
BOSTON GLOBE | Review of Charmed Lives by Michael Korda |
December 9, 1979 | |
Review of A Dance on the High Wire by Jed Harris |
January 6, 1980 | ||
Review of Written on the Body by Jeanette Winterson |
February 7, 1993 | ||
BOSTONIA | “The Cosmo Contagion” |
March-April 1992 | |
CHICAGO SUN-TIMES | Review of Kilgallen by Lee Israel |
October 1979 | |
Review of Show People by Kenneth Tynan |
February 1980 | ||
Review of The Days Grow Short: The Life and Music of Kurt Weill |
May 1980 | ||
CHICAGO TRIBUNE | Interview with Bette Davis |
August 31, 1980 | |
DETROIT NEWS | Review of Expensive Habits by Maureen Howard | May 25, 1986 | |
Review of A Far Cry From Kensington by Muriel Sparks |
August 18, 1988 | ||
THE DIAL | Interview with Joanne Woodward |
February 1982 | |
FILM COMMENT | Film Favorites: George Stevens’ Alice Adams |
September-October 1971 | |
Review of The Fred Astaire and Ginger Rogers Book by Arlene Croce |
March-April 1973 | ||
‘Miss Piggy: A Sow Is Born’ |
May-June 1978 | ||
FILM QUARTERLY | Review of Women in Love |
Fall 1970 | |
Review of Klute |
Spring 1971 | ||
GOOD HOUSEKEEPING | Interview with Helen Hayes |
March 1986 | |
Interview with Mary Martin |
July 1987 | ||
HARVARD MAGAZINE | Essay on Edward Sheldon |
March-April 2001 | |
LADIES’ HOME JOURNAL | Interview with Carol Burnett |
December 1989 | |
THE NATION | Review of Tom Stoppard’s The Real Thing, Michael Frayn’s Noises Off, Christopher Durang’s Baby With the Bathwater, and Wendy Wasserstein’s Isn’t It Romantic |
February 18, 1984 | |
NEW YORK MAGAZINE | Review of Leading Lady: The World and Theatre of Katharine Cornell by Tad Mosel |
December 18, 1978 | |
“Breakfast of Superstars” |
June 18, 1979 | ||
Review of Broadway Musicals by Martin Gottfried |
December 12, 1979 | ||
NEW YORK TIMES ARTS & LEISURE | Interview with Roy Scheider |
March 9, 1980 | |
NEW YORK TIMES BOOK REVIEW | Review of The Journals of Thornton Wilder |
October 13, 1985 | |
Review of Straight Cut by Madison Smartt Bell |
October 12, 1986 | ||
NEWSDAY and NEW YORK NEWSDAY | Since 1979, over 15 book reviews and interviews, including: |
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Reviews |
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The Language of Clothes by Alison Lurie |
January 10, 1982 | ||
Edie by Jean Stein |
June 27, 1982 | ||
Occasional Prose by Mary McCarthy |
June 30, 1985 | ||
On Acting by Laurence Olivier |
January 7, 1987 | ||
Interviews |
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Ethel Merman |
May 9, 1982 | ||
Bobby Short |
June 27, 1985 | ||
Cheryl Crawford |
August 4, 1985 | ||
Dina Merrill |
November 10, 1985 | ||
PHILADELPHIA INQUIRER | Review of A Stolen Past by John Knowles |
March 1983 | |
PLAYBILL | “Gilding the Merm” |
October 1980 | |
Interview with Sandy Duncan |
December 1980 | ||
(BOSTON) REAL PAPER | A series of interview essays in 1978 with Wilfrid Sheed, Gore Vidal, Mary Gordon, A. Scott Berg, and other writers |
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THE SOHO NEWS | Interview with Sono Osato |
May 7, 1980 | |
TRAVEL & LEISURE | “Affordable Culture in New York” |
December 1989 | |
Places I Love: Interview with Diana Vreeland |
December 1982 | ||
Places I Love: Interview with William Styron |
March 1983 | ||
VOGUE | “People Are Talking About Urbanity” |
September 1982 | |
WASHINGTON POST BOOK WORLD | Review of Finch, Bloody Finch by Elaine Dundy |
September 25, 1980 | |
Review of Bette: The Life of Bette Davis by Charles Higham |
October 5, 1981 |
EMPLOYMENT
Staff Jobs | |
Fall 1987 |
THE SCHOOL OF VISUAL ARTS, New York City, New York |
1972-1978 |
HARPERCOLLINS, PUBLISHERS, New York City, New York |
Consulting | |
2000-2004 |
The Radcliffe Institute for Advanced Study. |
1978 |
Research Consultant, The Manhattan Theatre Club. |
Freelance Jobs | |
1977 |
Worked with Diana Trilling, checking facts and proofreading galleys of her book We Must March, My Darlings. |
1975-1977 |
First Reader, Editorial Department, Avon Books, New
York City, New York |
1974-1980 |
Production Editor, The Film Society of Lincoln Center,
New York City, New York |
References available upon request